I went into London today to submit my MA thesis.
Then I celebrated with a friend at a great place on the Strand where I had white port and tapas.
Strange Horizons are running their annual fundraiser to raise money for the next year’s content.
I am a huge fan of Strange Horizons. They published my story “Feed Me the Bones of Our Saints” last year, which remains one of my favourites of the stories I’ve written. They also publish a lot of awesome stories by other writers. Here’s an introductory list of reasons why supporting Strange Horizons will ensure the continued publication of some really interesting, fun, diverse science fiction and fantasy stories:
Lavie Tidhar, “The Long Road to the Deep North” (2013)
Nghi Vo, “Tiger Stripes” (2012)
Amal El-Mohtar, “And Their Lips Rang With The Sun” (2009)
Vandana Singh, “Somadeva: A Sky River Sutra” (2010)
Toh EnJoe, “A to Z Theory” (2013)
Karin Tidbeck, “I Have Placed My Sickness Upon You” (2013)
Helen Keeble, “In Stone” (2007)
Alberto Yáñez, “Recognizing Gabe: un cuento de hadas” (2012)
They also publish poetry (I especially love the poems by Rose Lemberg: “In the Third Cycle”, “Between the Mountain and the Moon” and “The Three Immigrations”), reviews (need I remind you of “a chivalrous knight of archaic dimensions”), columns (my favourite is the Movements column by Rochita Loenen-Ruiz)…
I want Strange Horizons to keep publishing for a long time to come. More information about their fundraiser, including the prize draw for all donors, can be found here.
I got an email today from a NASA employee saying that he and several other people working at NASA and elsewhere have an informal science fiction reading group that looks for stories that could inspire NASA and other agencies. He said they’re reading my story “Found”.
I’ve loved space exploration since I was a child. I remember the first time I saw footage from the Voyager mission and just being unspeakably awed. We did that. We people. We sent a thing there. I have a big book from a now-out-of-date BBC documentary series called Planets which I will never throw away because watching that series filled me with wonder. More recently, I found Wonders of the Solar System and I now rewatch it often because Professor Brian Cox’s enthusiasm for space does things to me. I have a friend who works on the Cassini mission and gives phenomenal talks at UK sff conventions and I’ve been to two of her talks now and I intend to go to more. I am writing a story about Enceladus because of her. I have another friend who does things with infrared that I’ll admit to not fully understanding, but his talk at Nine Worlds was really interesting, and he gave me an inflatable universe. (I believe they’re both planning to be at Worldcon 2014. Just sayin’.) If there is ever a chance for me to go into space, even in one of those Virgin planes that only goes up a little way, and I can afford it, I will do it. I hope humans go to Mars in my lifetime. I want to walk on another world.
In short: I love space, I’m endlessly fascinated and awed by space exploration.
Though “Found” isn’t set in our solar system’s asteroid belt, I tried to base it in what current space science I know about our solar system’s asteroids (alongside a dose of the “fiction” part). I tried to put some of my love of space in it. That some people at NASA think it merits discussion, that it provokes interesting questions about future asteroid missions and habitation —
Not sure there are words to convey how happy that makes me.
Nine Worlds is this weekend! I will be there! Here is where you can find me:
8:30pm-9:45pm – Britannia – Electric Spectra: a queer poetry gathering
A friendly evening poetry session in our cosy Queer Library. Grab a pint, bring some friends, and share some poems! (Rated 18+)
11:45am-1:00pm – Britannia – Why is the Future so Binary?
With the endless potential for reimagining the world that science fiction offers, why do so many imagined futures stick to heteronormative, binary conceptions of sexuality and gender? Come and discuss the implications of futuristic technology for queer, trans* and genderfluid characters, and share recommendations for work exploring these possibilities.
With Tori Truslow, Alex Dally MacFarlane, Rochita Loenen-Ruiz, Jude Roberts and Cel West.
1:30pm-2:45pm – Britannia – New Goggles: Diversity in Steampunk
‘Anachrotech’ genres like Steampunk give writers, makers, and musicians a chance to tinker with the past, resulting in, at best, a way to reclaim and subvert popular historical narratives and tropes; at worst, a nostalgia that uncritically repeats those tropes. Let’s trade in those rose-tinted monocles for new goggles, and discuss the importance of queering and diversifying the genre.
With Zen Cho, Alex Dally MacFarlane, Maki Yamazaki and Sam Kelly.
5:00pm-6:15pm – Caravelle – Women’s Worlds: Feminist Utopias in Literature
A panel discussion about feminist utopias throughout literature. How have they changed as feminism has developed, how do we imagine what we do not have, and how close are we to that reality?
With Alex Dally MacFarlane, Cel West, Rochita Loenen-Ruiz, Tricia Sullivan and Alison Morton
10:00am-11:15am – Britannia – Better History = Better Fantasy: Writing Outside the Binary
Fantasy worlds based on historical periods often lack gay, trans* and other queer characters. Blaming this on our own world’s history is a mistake: history is full of people living outside normative sexualities and gender roles! Sappho (and the queer women who wrote about her), sworn virgins, monks and nuns, Two Spirit people, shamans, the Chevalier d’Éon, and many more! Come and discuss queer people in history – and how to research them to make your fantasy worlds better.
With Alex Dally MacFarlane, Rochita Loenen-Ruiz, Koel Mukherjee and Hel Gurney.
I have a new science fiction story, “Found”, in this month’s issue of Clarkesworld!
It’s one I started working on in 2008 – I had an early version workshopped at Wiscon that year, and owe Kelly Link my thanks for an insightful comment that changed how I saw the story and its protagonist. I also want to thank whoever it was in the workshop who suggested that ground spices and zero-G may not work well together. I tried rewriting it in 2010 and still couldn’t get it right, but earlier this year I started again, around the MA, and worked on it until I got a version that does what I want it to do. I hope readers agree!
It’s about spices, people living in asteroids, and dealing with the personal intersection of privilege with lack of privilege. And genderqueerness, because fuck binary futures.
I’m reading Crossing Borders: Love Between Women in Medieval French and Arabic Literatures by Sahar Amer for story research (a brief break from reading about Alexander legends in Armenia and the Caucasus for my MA thesis!) and she’s used a really interesting epigraph for one of the chapters that I thought others might want to read:
A willingness to descend into that alien territory split-space of enunciation may open the way to conceptualizing an international culture, based not on the exoticism or multi-culturalism of the diversity of cultures, but on the inscription and articulation of culture’s hybridity. (Homi K. Bhabha, Location of Culture)
Sahar Amer’s own words are also very interesting. I heartily recommend her article “Medieval Arab Lesbians and Lesbian-Like Women” (JSTOR access required – I found it hosted elsewhere online for free last year but that seems to have disappeared, so if anyone can’t get into JSTOR or any other academic resource, I’m happy to email the PDF), especially the quote about “the saffron massage” from the writing of the male poet Shihab al-Din Ahmad al-Tifashi, who says of scissoring: “This operation is dubbed “the saffron massage” because this is precisely how one grinds saffron on the cloth when dyeing it.”
Meanwhile, in Crossing Borders, she quotes the Anglo-Norman Etienne de Fougères on lesbian sex:
In twos they do their lowlife jousting
And they ride to it with all their might;
At the game of thigh-fencing
They pay most basely each other’s share.
Euphemisms for lesbian sex are the best ever.
There’s a mini interview with me today on the tumblr of the Queer Fandom track at Nine Worlds, in which I talk briefly about current projects and recommend some genderqueer SFF.
Nine Worlds is a new SFF convention in the UK – with an entire track dedicated to Queer SFF. I will be a guest on that track and leading a panel called “Better History = Better Fantasy: Writing Outside the Binary”, which will talk about the existence of queer people throughout history so that a) people writing historical/history-inspired fiction can actually include us, and b) anyone who wants to hear about queer people in history can learn new things.
I’m really looking forward to Nine Worlds (an SFF convention with an entire queer track is going to be a breath of fresh air, and is a much welcome addition to the SFF conventions in the UK) and I hope I see lots of awesome people there!
My essays are done! I have been working on fiction and slowly starting to think about my MA thesis (due in mid-September) and enjoying a bit of that marvellous thing known as a holiday.
In mid-July I will be at Readercon! I will be on a lot of awesome panels (SOCIOLING OMG). Look!
THURSDAY JULY 11
9:00 PM – ME – The Endangered Alien.
Andrea Hairston, Robert Killheffer (leader), Alex Dally MacFarlane, Phoebe North, Bud Sparhawk.
Science fiction sometimes becomes enamored of a theme for several years and then nearly abandons it for various reasons: microcosms in the 1920s, psionics or mutants in the 1940s and 1950s, etc. In recent years, aliens seem to have become less common. Novels by Paul McAuley, Kim Stanley Robinson, and Alastair Reynolds, and anthologies like Jonathan Strahan’s Edge of Infinity, confine their action to the solar system, with little credible possibility for intelligent alien life. The classic alien-as-hideous-enemy and alien-overlord tropes have largely migrated to movies and TV. When aliens do appear, in novels like China Miéville’s Embassytown, Peter F. Hamilton’s Great North Road, and Malinda Lo’s Adaptation, how are authors treating them? What purposes do they serve and what roles do they play?
(Funnily enough, I have some things to say about recent alien fiction!)
FRIDAY JULY 12
1:00 PM – RI – Speculative Poetry Workshop.
Mike Allen (leader), Margo Lanagan, Alex Dally MacFarlane.
Speculative poetry can be defined a number of ways. One is that a speculative poem uses the trappings of science fiction, fantasy, horror, or more unclassifiable bends in reality to convey its images, narratives, and themes. Speculative poetry can unfold with the same subtlety and power that speculative fiction does, with considerably fewer words. Come prepared to write.
7:00 PM – ME – Sociolinguistics and SF/F.
John Chu, Rose Lemberg (leader), Alex Dally MacFarlane, Anil Menon, Sabrina Vourvoulias.
Sociolinguistics studies the ways in which language intersects with society. It looks at issues such as interactions of language with power, prestige, gender, hegemony, and literacy, bilingualism and multilingualism, translation, language birth, and language death to name but a few. We will look specifically at the kinds of tensions that are created in societies where people speak different languages or dialects depending on social and racial/ethnic status. We will also discuss genre books in which those topics have been explored, and consider sociolinguistics tools and concepts that may be useful to writers.
(OMG. I am going to read about Emesal and Ancient Near-Eastern language shifts for this. And listen to the other panellists say fascinating things.)
SATURDAY JULY 13
10:00 AM – G – Intellectually Rigorous Fictional Data: Making Up Facts That Are True.
Debra Doyle, Alex Dally MacFarlane, Margaret Ronald, Ken Schneyer, Harold Vedeler, Henry Wessells (leader).
How do you make up convincing fictional primary sources? No, not for purposes of seeking political office, but because you need to know the facts and how they underpin the world of your fiction and the lives of your characters. Imaginary books and letters are just the beginning, even if they never appear in the narrative. Which fictional data sources matter? How much is enough to make a narrative feel resilient and whole?
(As a historian, I have opinions about the constructions of documents, nonfictions, histories!)
12:00 PM – RI – The Works of Maureen F. McHugh.
Nathan Ballingrud, Dennis Danvers, Gavin J. Grant, Alex Dally MacFarlane, Charles Oberndorf (moderator).
As Jo Walton said in a review of Mission Child, Maureen F. McHugh’s work explores “chewy ideas rather than shiny ones.” This is true of her novels, such as the Tiptree Award–winning China Mountain Zhang; her intense short stories, each of which contains an astonishing amount of narrative and conceptual complexity; and her alternate reality games, including the groundbreaking “I Love Bees.” McHugh’s work introduces the reader to communities large and small (families, subcultures, towns, nations, planets) and describes them with compassion, affectionate humor, and honesty. This panel will endeavor to give her rich, nuanced writing the close reading it deserves.
1:00 PM – G – Authorial Metanarrative.
Leah Bobet (leader), Lila Garrott, Theodora Goss, Glenn Grant, Alex Dally MacFarlane, Sonya Taaffe.
A number of authors build in subtle links between otherwise unconnected works. A link may not be something as literal as a common character or name; perhaps, instead, there’s a repeated trope or event. Leah Bobet, discussing Patricia A. McKillip’s works in a 2011 blog post, described this as writing “epic poetry, and the whole of [McKillip's] output is the poem.” How do such links affect a reader’s interpretation of or approach to a body of work, and what motivates authors to link their works together?
3:00 PM – NH – Mythic Poetry Group Reading.
Mike Allen, Leah Bobet, C.S.E. Cooney, Gemma Files, Gwynne Garfinkle, Andrea Hairston, Samantha Henderson, Nicole Kornher-Stace, Rose Lemberg, Shira Lipkin, Alex Dally MacFarlane, Dominik Parisien, Caitlyn Paxson, Julia Rios, Romie Stott, Sonya Taaffe, JoSelle Vanderhooft.
Over the past decade, speculative poetry has increasingly turned toward the mythic in subject matter, with venues such as Strange Horizons, Goblin Fruit, Mythic Delirium, Stone Telling, Cabinet des Fées, Jabberwocky, and the now-defunct Journal of the Mythic Arts showcasing a new generation of poets who’ve redefined what this type of writing can do. This reading will feature new and classic works from speculative poetry’s trend-setters.
7:00 PM – ME – Women’s Bodies, Women’s Power.
Athena Andreadis (leader), Alex Dally MacFarlane, Kate Nepveu, Vandana Singh, Sabrina Vourvoulias.
In many times and places, cisgender girls and women have been evaluated by their bodies, including their choice of dress, sexual behavior, virginity, and fertility. Juxtaposed with this are the mystification and taboos surrounding menstruation, pregnancy, and menopause. This outlook has migrated wholesale into speculative literature. It’s still standard fare in fantasy for women to lose (or be thought to lose) any extranormal powers they possess when they first have penetrative sex, menstruate, or become pregnant, from André Norton’s Witchworld adepts to Zamia in Saladin Ahmed’s Throne of the Crescent Moon. Athena Andreadis will explore the tropes and assumptions around this issue, including variants applied to trans* and non-binary characters.
I will admit that joining SFWA was never a major milestone for me as a writer. I joined because I had the spare dollars, I had heard good things about Griefcon and I wanted to nominate and vote for the Nebula Awards. I’ve been watching recent events with a rising sense of I am so fucking sick of this, and now my MA essays are done I have time to put some of my thoughts in words.
The recent problems are widely known. The SFWA’s professional magazine, the Bulletin, has contained sexist material: suggesting that women should have “quiet dignity” like Barbie (a good woman is seen, not heard!), then suggesting that women who protest about that suggestion are “liberal fascists” committing censorship! (A certain type of American likes to enthuse far more about free speech than about not being a piece of sexist shit.) (It was especially amusing~ to me that some white American males were crying about fascists when actual fascists were marching on the streets of the UK, attacking mosques and Muslims. Not to mention what’s been happening in Istanbul, say. That is fascism. That fear and violence. Not someone saying “Hey it’d be great if you didn’t suggest women should never speak.”) There’s a good link round-up here, as well as a much-needed international perspective here.
Then Theodore Beale, a member known for being a racist skidmark, used a SFWA Twitter feed to promote a post in which he used exceptionally foul, violently racist language against N.K. Jemisin, a black woman. Amal El-Mohtar rightly called for his expulsion from SFWA. As I write this, a decision has not been announced. Rumours do not bode well, although I hope the rumours are wrong.
While SFWA deliberates on whether to punish someone for violently racist language against a black woman, the people speaking up in support of her – especially other women of colour – are receiving threats of violence and murder. The forums of SFWA remain, as always, off-limits to those of us who are not white men: we will be dismissed, verbally abused. (Be quiet, like Barbie!)
SFWA is more than its racist members, of course. I know many people in the organisation want Beale out, want change: want SFWA to really be for everyone, not just a 1970s-era crowd of old white straight American dudes. A lot of this change takes time. Kicking Beale out? Not nearly as much time.
SFWA and the wider world of science fiction are not unique in their racism and sexism. Sexism is everywhere. Racism, likewise. But I am sick of SFWA-related bullshit, nonetheless.)
Here is what I’m sick of:
I’m sick of an organisation in which bigots feel welcome. I’m sick of forums in which bigots feel welcome, while anyone else is warned right from the start to steer clear. I’m sick of the fact that Beale’s language was not universally condemned, that reaching a unanimous decision to kick him out of SFWA is not proving to be easy. I’m sick of bigots having no consequences for their actions, while people speaking up in support of the people they hurt are harassed, upset and afraid. I’m sick of soft-footing in bigots’ favour.
No one can stop Beale from being a racist. No one can stop people from saying that it’s a bit too extreme~ to kick him out of SFWA.
Here is what can be done: create an environment in which racism and sexism and all other forms of bigotry are not welcome. Create an environment in which racist and sexist words are removed, their speaker banned from the forums, eventually banned from the organisation. (Yes, this needs a careful process of warnings and investigation and the potential for people to learn and change. Duh?) Otherwise bigotry will continue, bigots will continue to hurt and threaten people.
This is the beauty of being a closed organisation: it’s a closed environment, it can be shaped. It can be better. Racism and sexism and homophobia and Islamophobia and anti-Semitism and ableism and all other bigotries are not matters of opinion. They are not. I am fucking sick to fucking death of them being treated like they are. I am fucking sick of an American idea of “free speech” in which bigotry is not stamped out. (I won’t claim the British hate speech law as it currently stands and is utilised is perfect, but fuck, the idea that there is such a thing as “hate speech” and that it’s unacceptable is such a good fucking starting point.)
So this, SFWA, is what I want. I want Beale out. I want bigots unwelcome.
The other beauty of a closed organisation is that I can choose not to be a part of it.
I want an organisation in which bigotry is unwelcome. Otherwise it’s worthless.
I see no purpose in demanding less.
Out in late 2014
"...the 33 stories that MacFarlane has gathered for this volume dazzle with the virtuosity of their contributors’ talents."
- Publishers Weekly STARRED REVIEW
"Works from around the world, some in translation, provide an invaluable snapshot of this moment in the genre as well as some tremendously enjoyable reading."
- Publishers Weekly Best Books of 2014
Aliens: Recent Encounters
"...this [anthology] blew us away more than any other. Mostly because of the sheer volume of greatness contained in these 32 stories... These are classic stories of alien encounters, from some of the best science fiction writers working today."
- io9.com Best Books of 2013